Tra contrasti e sfumature alla ricerca di qualche rara certezza. Ispirandosi alla fotografia che "contiene quella presenza-assenza che rende le sirene così misteriose e affascinanti". M. Blanchot.
Il blog di Neri Fadigati. All rights reserved.
lunedì 4 febbraio 2013
Photography for the Media Sec. I - II
Richmond University
Florence Study Center
Photography for the Media
Spring 2013
Instructor: Neri Fadigati
Copyright
SECTION I
The Camera
The camera is an instrument that allows us to create images from light.
The term camera came from the old Latin expression Camera Obscura
(literally dark room) a tool used since ancient time to create light
projections. The main difference between old analogical and digital
cameras is that the image was once created on film, while today it is
captured on a sensor and then saved in the memory card. Aside from this,
they both work in the same way. There are two different kinds of cameras:
Compact Camera: small, light, easy to use non-professional cameras with
a zoom lens.
SLR Camera: big, heavy cameras with interchangeable lens.
SLR (Single Lens Reflex) camera is better as it allows the photographer to
see the same scene the camera will capture. This is done by way of a
mirror, which reflects the light rays to the eye via the viewfinder. The light
meter also works trough the lens (TTL).
Furthermore digital SLR cameras have bigger sensors. Top professional
cameras have a full size sensor of 24x36mm, same as 35mm film
cameras.
Incorporated into the camera body is also a shutter, which in opening and
closing by activation of the shutter button allows light to get to the film
(sensor). The shutter is therefore, one of two controls of the
exposure. The shutter is actually a shield capable of controlling the length
of time that the film (sensor) is exposed to light. In new computerized
cameras the shutter speed is visible on the display located on the back of
the camera body. The shutter speed scale is a scale written in whole
numbers. These numbers actually represent fractions of a second. It is
IMPORTANT TO UNDERSTAND:
a smaller number is a longer time and a larger number is a shorter time.
And therefore: a smaller number on the scale represents more exposure
and a larger number on the scale represents less exposure.
The Standard Shutter Speed Scale:
1 2 4 8 15 30 60 125 250 500 1000 2000
Where: “1” equals 1 second; 2 equals half a second; 4 equals 1/4th of a
second… and 2000 equals 1/2000th of a second.
Shutter speed
(time, a fraction of a second - the higher the number the faster the SS)
1” 2 4 8 15 30 60 125 250 500 1000
(1” = 1 second, 2 = 1/2, 4 = 1/4 …1000 = 1/1000)
SECTION II
The Lens
The lens is the most important part of the camera; it determinates the final
quality of our images. The lens determines also the size of the image area.
Lenses come in many different focal lengths. (You could think of the Focal
Length as a way of stating different lens “sizes”.) For any given film
(sensor) size there is what is considered the “normal” (standard) focal
length. With full size sensor (24x36mm) a lens of 50mm focal length is
considered normal (standard). What is meant by this term “normal” is that
the lens will produce an image in which the relative scale of all the objects
will be somewhat similar to how the human eyes see. The scene will
therefore appear “normal” to our eyes.
A shorter than normal focal length lens (commonly called wide angle – low
number, below 50) will produce an image where the objects appear to be
further away than normal from us and smaller in their space. A longer than
normal focal length lens (commonly called telephoto - high number, over
50) will produce an image where the objects appear to be closer and
larger in their space. Today cameras have “zoom” lenses. Zoom lenses
are lenses that have several different focal lengths all built into one lens.
The second function of the lens is to focus the light rays reflected to the
camera. Cameras come equipped with automatic focusing lenses,
pressing half way down on the shutter button activates this mechanism.
Standard Lens
Full-frame, 24x36 mm 50 mm
APS-C, 16x24 mm 27 mm
4:3, 13,5x18 22 mm
Focal Length (millimeters)
28 mm
35
50 (standard for 35mm film and full size digital camera)
80
135
200
400
800
T = telephoto lens (high number, over 50) - to make the subject bigger
W = wide angle lens (low number, below 50) - to get more of the scene
Aperture
The lens determines also the aperture. The aperture is the hole in the
that the light rays travel through to get to the shutter and then to the
sensor. The aperture size can be changed. In either case there is a
standard aperture scale that represents the various sizes, called f./stops,
of the aperture. Obviously a larger aperture hole is going to allow more
light to get to the film (sensor) and give more exposure. Conversely a
smaller aperture is going to allow less light to get to the film and give less
exposure. Therefore the aperture (along with the shutter speed) is a
control of exposure.
The Standard Aperture Scale:
1.4 2 2.8 4 5.6 8 11 16 22
The smaller number represents a large hole and more light getting to the
film. The larger numbers represent very small apertures and less light
getting to the film.
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